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Guide, unpublished works














P. Help , "Rest," ink on paper, late 40's.



August 23 to September 2 2009
Carosino (Ta), "Multipurpose Center for the elderly", via Fieramosca, 46

Hours: 18:00 to 23:00
For information: 3209262443
e-mail: zizza.gianlu @ libero.it
blog : http://pietroguidaacarosino.blogspot.com/

Concept and design by: Gianluca Marinelli


The exhibition


works

The exhibition of small sculptures and drawings mostly unpublished Pietro Guide, covers, cut anthology, the highlights production of the famous sculptor of Campania, from about sixty resident in Puglia. An artistic journey, to guide, which can be divided into at least three phases: the initial phase (1945-1959) dedicated to figurative language, followed by the season of abstract experimentation (1960-1975) characterized by a geometric-constructivist idiom; then the recovery of the figure in the period of maturity of expression (from about 1975 to present). The documents also show features
(vintage photographs, exhibition catalogs, publications, magazines, etc..) That refer to the highlights of the artistic help, and finally a monographic section of his designs were born from a reflection on the pads stained 's main altar of the church of SS. Maria delle Grazie in Carosino (Ta).

The educational workshop

From August 27 until the end of the exhibition, the workshop "Art for Society" will be responsible for teaching children and the elderly, to be held each morning (by appointment) at the "Multipurpose Center for Seniors" by Carosino. The goal is to produce, with the exceptional cooperation of the Master Guide, deliverables that will go to join the exhibition.

An exhibition of art as experience relational

The exhibition is staged so as not to impede the activities normally carried out in the "multi-purpose center for the elderly" for this reason it was decided to retain, wherever possible, the furniture of the rooms. The'idea, indeed, is precisely to promote such activities (from tournaments tressette, crochet, homemade dinners organized by local produce, easy to find stories to tell), consider this rich social practices as a additional material exposure, which will be documented by video recordings, photographs, interviews, diary entries made by students enrolled in the workshop "Art for Society" and posted on Blog http://pietroguidaacarosino.blogspot.com/ online, created specially for the exhibition.

The exhibition catalog

The exhibition catalog will be published in significantly closing event, to be able to document, in addition to exhibits on boards with criticism, all the creative activities and social practices held during the exhibition .

Peter Guide

was born in St. Peter's Guide Maria Capua Vetere (Caserta) July 14, 1921. Practice since 1936, his native city, the study by Fortunato Jodice, where he learned some rudiments of the art technical plastics. Enrolled in October 1939 Accademia di Belle Arti in Naples can be trained in sculpture Alessandro Monteleone, but the call to arms and the outbreak of war forced him to abandon his studies soon. During the years of World War II knows, by binding to a lasting friendship with implications also in his artistic life, Raffaele La Capria, Ghirelli Antonio, Gino Montesanto, Michele Prisco, Walter Tomassini, Orseolo Torossi. During the events of war is transferred (summer of '43) with the battalion to which it belongs to Manduria, his future adoptive country, followed by involvement in military operations of Cassino and work as a carpenter in the tents of the Allied rear in Caserta , where he made numerous portraits of American officers.
In 1947 he graduated at the Accademia di Belle Arti di Napoli, in those years living with the "South Group" the new ferment in modern art, becoming one of the protagonists of the renewal of the stagnant situation in the cultural capital of Campania, along with Renato Barisani, Gennaro Borrelli, Raffaello Causa, Renato De Fusco, Anna Maria Ortese, Armando De Stefano, Guido Tatafiore. It begins in the meantime to show his work (his outstanding contribution to the Second Exhibition of Fine Arts, Gallery "strong" closing Collective Group South Painting, Gallery "Prussian Blue", both in Naples in 1948; Diomira Prize 1949, Gallery "Ship", Milan 1949, The National Exhibition of Contemporary Drawing and Engraving, Reggio Emilia 1949), receiving broad national consensus with his drawings (in particular, the appreciation of Marco Valsecchi).
The requirements of the job led him in Puglia, where he obtained his first teaching of arts in secondary schools and Massafra Castellaneta, and after Manduria, since 1950 the city where he lives and works. Since 1960 he holds the chair instead of sculpture at the Accademia di Belle Arti di Lecce, and then run a school of art since 1971 "Lisippo" Taranto.
not late in entering the art scene in Puglia, soon becoming one of the most representative artists (in the editions of the National Quadrennial in Rome in 1955 and 1959, Help is invited to participate on behalf of the Puglia) and close in friendship with the leading intellectuals active in the region on the side of the visual arts such as Cosimo Damiano Fonseca, Jacovelli Gianni Franco Sossi, Peter Marino, Emanuele De Giorgio, Luigi Flauret, Michele Perfetti, Nicola Andreace, Ciro De Vincentis.
"Before joining the abstraction, Guide opens with the guidelines of modern sculpture exploring what had happened in Italy during the previous decades side by invoking the power of figurative plastic Marini essentiality 'archaic' Martini" (Massimo Guastella) . His figurative production is shown in important exhibitions (Galleria Selecta, Rome, 1958) and collective (International Award in sculpture in Carrara, Carrara 1957, the competition for an opera inspired by the plastic sport, Palazzo Strozzi, Florence 1958; Artists Puglia, Gallery "Taras" EPT, Taranto 1959, besides the mentioned editions of the Rome Quadrennial).
One way to break with figuration is the beginning of this decade to study the reasons for the land where he now lives: the megalithic walls of Manduria, Menhir, the prickly pear. The sculptural mass, not to set up the block, is now formed by assembling elements discontinuous coming from the building, as galpomice, bricks, asbestos cement pipes (work carried out by the mid-'60s), or ferrous materials: real objet trouvé that the artist is usually a junk shop to get remnants from the demolition of old vessels, located on the pier S. Egidio di Taranto (works constructed, so named by the artist, whose work for nearly a decade: 1965-1975).
growing awareness at national level to guide, awards, prestigious jobs (such as the monumental size sculpture created in 1972 to lobby the new office building Italsider of Taranto), the focus of criticism more qualified for his work (Franco Sossi, Vittorio Fiore, Oreste Ferrari, Filiberto Menna, Vito Apuleo, Nerio Theban, Nello Ponente, Enrico Crispolti) and invitations to exhibition projects relevant: the personal art galleries "Taras" of Taranto (1961), "Horse" in Venice (1962), "The Metope" in Bari (1964), "The Seat of Lecce (1965)," The Pivot "in Rome (1967, 1968)," The Frame " Bari (1969), "Action" in Rome (1971), and among the innumerable group exhibitions: Young Italian artists, Villa Comunale, the Pompeian Hall, Naples 1961, Award Termoli, Termoli (editions of 1963 and 1964), The May of Bari, Biennale, Castello Svevo, Bari (editions from '64 to '66), International exhibition of outdoor sculpture, Pagani Foundation, Museum of Modern Art, Legnano (editions of 1965, 1971, 1973), Adriatic Triennale, Palazzo delle Esposizioni, Civitanova Marche, 1965, XVII International exhibition of art Prix Fiorino, Palazzo Strozzi, Florence, 1966, III of the South Art Exhibition, Palazzo Reale, Naples 1967; Shapes, space, facilities, Massafra 1967, 20 +5 New experiences art in Puglia, Taranto, Bari, Grottaglie, Massafra 1969, Co / incidences of Contemporary Art Review XX City Massafra Massafra 1969, Art Criticism 70, Modena, 1970, a space for art, Italsider Circle of Taranto, Taranto 1974-75, II Quadrennial of Contemporary Art, Acquasanta Terme 1975, VIII Biennale art metal, Gubbio 1975.
the second half of the '70s and for about three decades Help choose to give to the exhibition, returns to the figure in the meantime, the departures mariniane and Martini, creating large statues in rough cement with which addresses issues feminine, mythology, music, allegorical, sports and everyday life.
Stop the Silence exhibition only since 1993 with the exhibition staged at the Castle of Charles V of Lecce, where they the appearance of his new works. Below are a personal Longiano Malatesta Castle (1995), Castello Carlo V di Lecce (1997), Ex Convento di San Michele di Taranto (2002), Palazzo De Felice di Grottaglie (2009). On all the important retrospective exhibition staged in 2008 at the Monastery of the Olivetans of Lecce, headquarters of the Department of Fine Arts and History of the University of Salento, coupled with the publication of an important catalog which covers the whole philological artistic Help substantial and authoritative analysis and criticism that has accompanied it.

Project "Caetano"

The project named "Caetano" (active citizenship and territory) is winner of the active ingredients - Young Ideas for a better Puglia, promoted by Regione Puglia in 2008. Caeté ranked among the top 100 funded projects, including the more than 1500 submitted on a regional scale.
The project, being implemented in the municipality of Carosino (Ta), acts in social inclusion and active citizenship, and is based on the recognition of the practice of art as a tool for local promotion. The objective is to stimulate the local community through the free expression of creativity, to this end have been designed following the workshops, complement each other, cared for by the cultural "Lib Lab: Writing, Illustration and Construction Paper, Ecology of Sound and inner space of the Soul; Animated Reading, Art for the Company.
Project partners are the 'University of Salento, the Province of Taranto, the City of Carosino, the Laboratory Project Poiesis Poiesis-publishing company, the Cooperativa Sociale "The Blue" Anffas's Fund, the Cooperativa Sociale Robert Owen.
Laboratory of Ecology of sound and interior spaces of the soul, held by Francis Giannico, is to carry out an audiovisual record of the town of Carosino and countryside nearby. The oral testimony of elderly and all the sights and sounds of the territory, will be recorded through the practice of "story" and "walk the neighborhood." Audio samples and the shooting will be further elaborated through the creative tools, thus experiencing the realization of video art and electronic music (Target audience: all ages, children under twelve years will be accompanied by parents or a relative).
The writing workshop, drawing and construction of the book, conducted by Biagio Gladly itself as a chaotic forge of poetry, where children can develop their natural predilection expressive with words and with the design. The laboratory includes the involvement of older people, called to tell the stories of the oral tradition, from which children will inspiration for writing and illustration of their stories. The books made by children will feed into a traveling library of unpublished works, which will travel to fairs and literary Italian cities (recipients: different age groups, preferably primary school children). The laboratory
Animated reading, taught by Lucy Fraser, is aimed solely at children aged 6 to 10 years. Will be carried out experimental readings of texts (stories, poems, etc..) Through the practice of design, construction sets, puppets as well as the production of theatrical performances. Everything is designed to stimulate the creativity of the child, understanding and description of his emotions, and more generally to improve their interpersonal skills (intended for babies aged 6 to 10 years).
The workshop "Art for Society", led by Gianluca Marinelli, aims to play a critical knowledge and artistic heritage of the area, through the organization of meetings in front of numerous works of art and travel itineraries. In an attempt to achieve a widespread dissemination of art in the town of Carosino, will also be tested interventions Arts report, made in a variety of languages, obsolete and preparation of exhibitions in spaces such as shops, barbershops, waiting rooms of medical offices, etc. ... The workshop will finally to the creation of a documentation center on contemporary art in its clubhouse, which will receive all the materials products (target: all ages).

Info: ass.lablib @ yahoo.it