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One of the criticisms from Operaclik






It's called S-Inn Hotel in which environmental Sandro Pasqualetto a diptych that runs on the telephone wire. The "S" may be the initial "schizophrenic" or just "loneliness" or "hope": all three definitions are formulated in some way to events and feelings he told La voix humaine and The telephone. Outside the room the lives of other guests and staff flows unaware of what happens within it: the elderly couple, the man with the suitcase, the waitress tired of his routine can not even imagine the plight of women abandoned by the lover, who tries desperately to stay connected through a telephone call interrupted and resumed several times. Nor do I share in the non-dialogue of the young couple occupying the same room after the woman abandoned her, leaving the luggage. Only sailed director-waiter and the porter seem to have knowledge of what can happen in the microcosm of the hotel, the intimacy of a room that becomes the shell, shelter, perhaps the last living woman. The director of Verona intelligently creates a fluid movement of extras, like saying, pass and repass through the corridors, only interested in their own lives, and how could it be otherwise, to any of them as we know, life is simply the life.

Pasqualetto does a wonderful job on the characters: the movements of women of La voix humaine straight out of a fifties film, every detail is taken care of, from how to cross your legs, smoothed his hair, taking off his overcoat. The rhythm of a sitcom featuring, instead, The telephone, with the two protagonists who act with theatricality bubbly, at times almost exaggerated pertinentissima the brio of the action. In both works the phone cable is not plugged in, it is important that communication is real, the telephone seems to be an excuse to communicate their feelings to themselves, their way of being. Outstanding work on the set, we have learned to be all amateurs, who make up the added value of production.

Very beautiful, functional and above all, the scene created by Cristina Alaimo, who also wrote the elegant costumes and relevant. The Alaimo puts the camera to center stage, but at the same time creates a number of other points of attention consisting of the glimpse of another room, such as doors, locks, and corridors: the viewer is left with the task of imagining.

well-kept the light design, almost cinematic, Claudio Schmid. No less interesting than the visual part was the musical performance.

Cristina Zavala, versatile singer, jazz improvisation, experimentation of new tracks sound amazing actress is ideal protagonist of La voix humaine: the voice bends ductile sung word, the interpretation is full of gestures, glances and small movements which highlight the increasing desperation of the woman. Not secondary to the beauty a bit 'wild, a little' sophisticated and very French Zavala, glii eyes which resemble those wonderful Silvana Mangano.

Convincing even the stars of The telephone.

Blerta Zhegu Lucy is a petulant, like a spoiled teenager but ultimately tender. The young Albanian soprano solves the security problems of the role, any difficulties in the agility of a seventeen hundreds of air corresponding to the first, ending the telephone call to the heart, and find the right accents even in the very short dialogue with her boyfriend. Well

also Mattia Nicolini, in the part of Ben, her boyfriend who tries in vain to make his marriage proposal vis-à-vis, but that will eventually fall back on a telephone statement. Nicolini has a good voice control of the vehicle, which is accompanied by a clever phrasing and an impeccable acting.

Emir Saul consult La voix humaine by opting for an almost orchestral color pale, perfectly in keeping with the character of the score. The time is marked by a variety that clearly emphasizes the rapid change of moods of women. Well-defined drop-romantic mood of the happy times spent with his friend as effective as the sharp shooting of the wood to highlight the desperation.

Read and lively dynamics chosen for The telephone, which are designed to emphasize the gift Menotti's opera buffa of the Neapolitan school, the times are flexible and guided by the agogic a crystalline lightness.

Earnest applause Orchestra of the Academy Bolzano Claudio Monteverdi composed by students of the Conservatoire national; involved, precise and professional.

great success, well deserved, at the end, with prolonged applause for all.

Alessandro Cammarano